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Use the built-in audio effects to add color to your own plug-in chains. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. BLUE CAT AUDIO PATCHWORK CRACK AAX SERIESIt is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. BLUE CAT AUDIO PATCHWORK CRACK AAX FULL VERSIONCheers.Blue Cat's PatchWork Full version is a universal plug-ins patchbay that can host up to 64 VST, VST3, Audio Unit or built-in plug-ins into any Digital Audio Workstation (DAW) in one instance. Lol, life before consumer multitracks was dismal, let me tell you, hahaha. Hey, it was 1000x better than “multitracking” via placing 2 Sears tape recorders next to each other. I “stole” it for use with my guitar rig (some Strat copy which didn’t even have a name on the headstock, and a Peavey Renown 2×12 solid state amp, lol, for laying trax on my Teac 144 cassette 4 track, which at the time seemed The Shite. I fell hard for chorus the 1st time this friend of mine got an Acoustic bass stack along with a Boss chorus stompbox. There’s a plug which gives you the wilder sorts of sounds, if you want it. Now on Waves, their “Kaleidoscope” modulation array is The Balls. Just I’m a little irked about the dev’s seeming insinuation that when you buy this, you’re buying a chorus capable of really going beyond the pale of typical chorus efx. It’s good, it sounds like a chorus, and I recommend it. Low/high pass kind of thing, but they’re both quite wide sufficiently so so that various settings within that do have major effect on the nature of the effect’s impact. And very comprehensive EQ, for an effect. It does have an upper octave effect built-in, which is unique. It’s much plainer vanilla chorus than I expected, even with mix and matched dimed parameters and such. So anyway, from my experimenting around and use of it, I find it doesn’t do the really deep, mentally-ill types of chorus. Orchid claimed something about having I think 4 various sources, whereas typical chorus efx have 2. I’m no geologist or whatever, so I’m getting into techy stuff which my small-town Texas hillbilly brain can barely comprehend, lmao. I bought one recently called “Orchid”, which is very good, only I feel they may have overblown their description a bit. I think I’m most curious about the “Syntorus” plug. In the meantime, what is your chorus plugin of choice? In my next article, I’ll share some plugins for one of my favorite effects categories, distortion. The plugins from UAD (Universal Audio) are simply the best, most authentic emulations available, but the Valhalla offerings are really quite impressive, and significantly more affordable. After that, it becomes a matter of budget and personal taste. In conclusion, if you’re just starting out, toy around with the stock chorus effects built into your DAW. The TAL-Chorus-LX sounds good, though I rarely use it since I have other options at my disposal, and indeed it is rather limited when it comes to adjustable parameters. ![]() The Syntorus does exactly what it’s advertised to do, offering an analog sound and two, distinct delay lines. Both are useable plugins in their own right. ![]() BLUE CAT AUDIO PATCHWORK CRACK AAX FREEThat leaves us with the D16 Syntorus and free TAL-Chorus-LX. At five bucks though, it’s still part of my library - a deal too good to pass up. While the Avid C1 is a nice delay and modeled on a famous stomp box, I don’t find myself reaching for it too often. If you’re after a particular chorus sound, chances are you can achieve it with the UberMod. It sounds great, offers a ton of flexibility, and is priced just right. It’s like the equivalent of a ‘set it and forget it’ piece of gear.įor those who aren’t able to make use of the Universal Audio ecosystem (or don’t want to spend $150 for a plugin), my runner-up is the Valhalla UberMod. My personal favorite is the Studio D Chorus from UAD, for its analog-like warmth and ease of use. They can be applied in varying intensities, from subtle amounts on a vocal to a heavy, wide chorus effect on electric guitar. ![]() Chorus effect plugins are typically used to thicken and provide depth to the source audio signal. ![]()
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